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10 Notes

Sunday Swap | Mix Tapes

Create a mix for a stranger and get one in return.

http://www.sketchbookproject.com/projects/mixtape

9 Notes

Infinite Scroll | Monsters

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Adam Howie, Alanna Ranellone, Ali Gioux, Amanda Crum, Amy Beth Quering, Amy Newhouse, Amy Sefcik, Andrea McDonough Varner, Andy Iakobson, Angeline Mascarenas, Arty Valentim, Ash Hughes, Ashley Kidner, Astrid Hente-Eickhorst, Ben Voth, Berry Villegas, Bethanie Petipas, Bob Dorsey, Brandon Albert, Caroline Lawson, Cat Addams, Charlotte Niedzviecki, Chris Boyd, Christina Skapriwsky, Christine Galisa, Cindy Roberts, Cynthia Horacek, Dan Wolfe, Emina Slavnic, Eozen, Eric Demers, Evan Mannweiler, Felisha Bahadur, Frank Schulze, Georgie Rebane, Glynis Crawford, Hannah Rosengren, Hannah Skinner, Heather Gordy, Heather Johnston, Henry Barefoot, Imelda Fagin, Iverson Larkin, James Johnson, Jared Konopitski, Jason Atomic, Jason Drake, Jay Bicknell, Jennifer Hall, Jennifer McBrien, Jessica Ganon, Jette Fockmann, Jolan Chien-Szegedy, Joni Cooper, JP Spanbauer, Juan Calle, Karen McGarry, Karen Wattie, Katherine Young, Kathleen Holmes, Katie Leung, Kellie Rados, Kirt Stanke, Kristen Terrana, Kyle Rose, Latisha Alsys, Lau HappySoul, Leila Bidler, Lisa Bowman, Luo Tamago, Marieke van Middelkoop, Mauricio Otarola, Melina Mikulic, Melissa Sisk, Mia Barefoot, Michelle McGough, Michelle Preza, Minerva Mopsy, Nati Milner, Nicole Hamilton, Patu Tifinger, Petrina Mina, Renato Rea, S. Gontz, Sara Riddle, Sarah Harris, Shannon Deeds, Steven Rice, Sue Barlow, Tia Sheppard, Tim Mucci, Travis Hall, Tricia Anne Baar, Valeria Lucca, Vickie Pointer, Vivian Lai, Will Branch, Zea Barker, Zoe Bryant 

13 Notes

Why we do these projects …

A letter from one of the Limited Edition Sketchbook Project participants:

… and that’s why we do these projects. It’s about you, your work, your life, your story. Thanks again to everyone who’s participated. It’s your involvement, and your presence in our community, that makes these projects so cool.

32 Notes

What are you making?

This is the new selection of theme options you might have already encountered, as you checked out (or joined!) the 2013 Sketchbook Project. They look a little different than the theme choices from past projects, and many of you have been asking: “What do these mean?! Why did the themes change from past projects? How do I choose?”

In short: The Sketchbook Project is not just a project for sketchbooks. It’s a library featuring all kinds of handmade books. And this year you have the opportunity to select a category that best describes what kind of creative person you are.

Form and content are the two mainstays of any kind of art. “The medium is the message,” a credo coined by communication & media theorist Marshall McLuhan, pretty much sums it up. Every art object tells a story. This is something we’ve learned here at Art House through the years, as we pour over the thousands of sketchbooks in our archive. Each book blends a unique combination of medium, technique, talent, and content, and through this combination, alchemy happens. A golden story emerges.

Sometimes the tales encapsulated in the sketchbooks are abstract and seem to have everything to do with the artwork itself, how it was made, and even, why it was made. Other stories expose deeply personal experiences, travels, histories, wishes and fears.

The choice now is really up to you about how you want to categorize your work, and ultimately, your story. Through what lens do you see the world? Are you a traveler? A chronicler of events? A diarist? A mapmaker? A poet?

Below, we’ll offer a brief overview of the different types of books you can choose to make for this project, in hopes to get you inspired and also jump-start your art making, storytelling, and creative adventures.

 

TRAVELOGUE

 

[The cover of E Alexander Powell’s 1922 travelogue ‘Where the Strange Trails Go Down’]

From the dictionary:

1. (noun) travelogue, travelog: a film or illustrated lecture on traveling

Are you a traveler? Do you keep field notes, snap pictures, jot down anecdotes of the places you visit far and wide? Then the travelogue may be the book type for you. Humans have kept record of the places they’ve visited for centuries, and these records often find their way into history books. Whether you’re visiting another side of the world, outer space (c’mon astronauts, you know you want to do this project), or just the stand of trees in your backyard or the corner bodega, creating a travelogue is a really neat way to document places and the experiences you have there — and make them come alive for the viewer.

 

MEMOIR

 

Did you traipse around Paris in the 1920s and live to tell the tale?

Neither did we. But that doesn’t mean we don’t all have a unique story to tell about our lives. Whether you do it in photographs, words, drawings, or some other combination of mediums we could only imagine, the memoir category of book is the thing to choose if you’ve got a juicy life story and feel that that’s the picture you’d like to paint.

[Above: “A Family Sketch” is a 64-page handwritten memoir my Mark Twain that begins with a tribute to Twain’s eldest daughter, Olivia “Susy” Clemens, who died of meningitis in 1896 at age 24 and served as the inspiration for his ”Joan of Arc” and ”A Horse’s Tale.”]

 

NARRATIVE

 

Maybe you’re a natural born storyteller, but autobiographies aren’t really your bag (those are for our memoirists!). If this is the case, then perhaps a narrative book is for you. What’s your weapon of choice? Words? Infographics? Doodles? Paint? How about a genre … are you into magical realism, fiction, loose abstractions, dreams ….. ? There are so many ways to weave a narrative thread throughout a handmade book, and now’s your chance to hone your expressive talents and tell/show us a tale …

 

ATLAS

 

Are you a closet map maker? Are you constantly writing out directions for folks to get from A to B? Are you kind of in love with geography? Do road signs really get you going? If any of these are the case, the the atlas book type may be for you.

Or maybe you’re just obsessed with patterns and want to create a matrix of lines and shapes that form some kind of cohesive whole — a map of impressions, changing light, seconds ticking by in a waiting room, every shade of green encountered in one day. Whether you’re interested in concrete mappings or a more conceptual approach to documenting things in space or time (maybe even with secret codes or keys!), then creating an atlas may be the way to go …

[Above: The various riverbeds of the Mississippi River, which show that over the geological past, the river really has coursed like a snake.]

 

ALMANAC

 

Before nifty websites like www.weather.com existed, folks predicted the weather (ie the growing season, and their livelihood) using a little thing called an almanac. Typically released at the beginning of the year — and comprised in part by data from past years, wives tales, and colloquial knowledge — these handy little manuals helped others plan the next 12 months ahead.

So why not make yourself useful and create a manual? If this idea turns on a light bulb or two somewhere deep inside of you, then the almanac might be for you.

Do you have some knowledge you can impart through your book? How about “An Illustrated Guide to …. [fill in the blank].” Interested in field notes? Diagrams? Practical advice for how to … ?

Go ahead. Teach us. We want to learn.

 

CHRONICLE

 

From the dictionary:

1. An extended account in prose or verse of historical events, sometimes including legendary material, presented in chronological order and without authorial interpretation or comment.
2. A detailed narrative record or report.

 

They say the devil is in the details. Or is it? A chronicle is a detailed record of the process or progression of things. How does a line get from point A to point B? How do colors change across a page? What does a drawing look like if you replicate it a few times over? There are many ways to visually chronicle things happening — whether real or imagined — and if you’re into keeping note of the whys hows and whats of life happening around you — or your own creative process — then this book-type could be a great jumping off point.

 

 

SKETCHBOOK

 



[Above: a sketchbook by: Barbara Johansen Newman; for: The Sketchbook Project: 2011; theme: Coffee and cigarettes]

 

The sketchbook category might not need too much explaining. 
……  Or does it? What is a sketchbook, anyway?

 

From the dictionary:
n. - A book containing sheets of paper on which sketches can be drawn

But are they just for drawing? The answer is both yes and no. While some of the most amazing sketchbooks we’ve received contain drawings alone, the Art House sketchbooks have been defined by our community as much more. We allow ALL mediums in our sketchbooks, which in many ways act as visual workbooks for creatives of all persuasions. Textile artists, portrait painters, and collagists all do their thing in our sketchbooks … as well as scientists, architects, teachers, students, moms, dads, kids, and that guy down the street. The sketchbook is really a book for anyone, in which to create whatever you please.

[Above: a sketchbook by: Eric Durrance for: The Sketchbook Project: 2011; theme: First thing in the morning, last thing at night]

 

[Above: a sketchbook by: Bepen Bhana for: The Sketchbook Project: 2011; theme: Make mine a double]

 

[Above: a sketchbook by: Nina Morgan for: The Sketchbook Project: 2011; theme: In 5 minutes…]

 

CHAPBOOK

 

So you’re a poet. Or a literary artist. Or you love the idea of mini books that contain bits of text, images, and thoughts. If this is you, you’ve probably already signed up for the chapbook book type for this project.

 

But for those who aren’t yet hip to the format, here we have again from the dictionary:
  1. A small pamphlet containing tales, ballads, or tracts, sold by peddlers.
  2. A small paperback booklet, typically containing poems or fiction.

So maybe you won’t peddle your chapbook on the street. But you could create a chapbook to submit to us (and potentially make replicates before you send it in, which you can distribute whenever and whenever you please!). Let your lyrics loose in this book, and the lines (poetic, visual) guide the reader/viewer through your thoughts.

 

DOCUMENTATION

 

From the dictionary:

1.  a. The act or an instance of the supplying of documents or supporting references or records. b. The documents or references so supplied.

2. The collation, synopsizing, and coding of printed material for future reference.

Are you a scientist? Do you love graph paper? Do you collect data and spit it out again in lyric form or in paintings, graphs, graceful columns or polls … ? Can you imagine tracking a bird in flight and then mapping this along x and y -axes. Then the documentation book type may be just the ticket. Show us, tell us, explain to us what is happening and how. It can be abstract or strictly representational. You choose… it’s your data, after all.

 

PHOTO LOG

 

You love photography. You’re analog. You’re digital. You’ve got a photographic memory. You’ve got a gigantic memory card. You’re wide angled. You’re panoramic. You’ve got nothing better to do than put it down in a photo log.
We’d offer you a dictionary definition for this, but honestly, we made it up. But let’s start with this: it’s like a photo BLOG, except in book form. Wow us with your best shots. The candids will make us cry. The heavy edits will make us jealous of your technical skills. Tell us something about life, using real life images.
*        *        *        *
In the end, the story you tell with your book is really up to you. The category you choose can help guide the way you tell it, but always remember: in the end, there are no rules with our themes/categories, and you can create whatever you want, however you want, in your book. The best book is the book that is uniquely YOU — an expression of life that is particular to your own individual sensibilities and outlook.
So after all this, don’t worry too much about the categories. If you have a creative itch, scratch it. Jump in. That first blank page is calling your name.

 

 

24 Notes

The 2012 Sketchbook Project Tour Kicks Off in Brooklyn

April 14-15, 2012 — Brooklyn Art Library

What a weekend! The Sketchbook Project 2012 World Tour started out with a bang this past weekend at our home base, The Brooklyn Art Library. Just over 700 books were checked out and the place was jam packed. The staff and I LOVE this time of year here at Art House. We feel so lucky to be able to travel the world meeting people and hearing the stories of our participants. Please feel free to come up to any of the crew members at this year’s exhibitions and talk to us about your experience. We love to hear it.

Here’s to a great tour!

Thanks to everyone,

Steven

Here are some pics to recap the first moment of glory for all the 2012 sketchbooks and the talented folks who hand-crafted each one:

The weather was balmy, foretelling a summer that’s right around the corner. The doors of the Brooklyn Art Library were flung wide to our bustling Williamsburg neighborhood, and inside: the main attraction. We had so many participating artists attend, as well as flocks of folks who showed up to support their friend’s contributions to the show — not to mention the herds of curious passersby who stopped in to see what all the fuss was about.

And here we have Shane Zucker, one of Art House Co-op’s co-founders, doing a last-minute check on our new kiosk system. Big props to him for making the sketchbook check-out process more intriguing, quicker and easier than ever before.

First person to check out a sketchbook!

Some early birds definitely got the worm, snagged a seat before the crowd settled in, and were able to get their hands on some books line-free …

And then more people came … and then a few more … and then a lot more: characters from the neighborhood who happened upon the event by accident, and participants who traveled both near and far to see their work in its first public showing.

… And even a few reptiles showed up.

And of course Buttons!!

The show will be up through April 29th at the Brooklyn Art Library.

Next stop? Chicago. Meet us there May 3-5. Tell your friends. Tell your family. Tell the whole world. It’s gonna be awesome.

Here are the deets:

May 3rd, 3-7pm
May 4th-5th, 12-4pm
Hyde Park Art Center
5020 S. Cornell Avenue
Chicago, IL 60615

22 Notes

Guerilla Spring

This week’s final installation of the 10 x 10 Series is a chance to really go wild with your creative impulses, share some artistic joy with others, and even cultivate a little mystery in a public space.

The Mystery Project doesn’t put any restrictions on what kind of art you make, as long as you document it in a 4 x 6 photo. Even better? You get a free “mystery color” Prismacolor Brush l Fine Art Marker to work with, as well as a word prompt to guide your work. It’s been our hope that the 10 x 10 Series has stimulated all its participants’ minds to think about art and the creative process in new ways each week. Now’s your chance to figure out which project, medium, prompt, or process got YOU thinking the most.

The choice of what to create is yours!

 

*          *          *          *          *          *          *          *

 

The idea of putting art in public spaces is not a new one, however. Often called “street art” or “guerilla art,” this kind of work inverts the concept of “found art” (typically, art created with found materials) by leaving artwork behind for others to find. One of the coolest things about anonymously left public art is the ability it gives artists to inspire others by allowing them to encounter beauty or the unexpected in places they wouldn’t normally.

Here are some fun examples of works that guerilla artists leave behind to brighten strangers’ days, provoke thought, and make the world just a little more interesting.

 

1. Chalk Drawings

 

Springtime means the weather’s warmer, and folks are more likely to be out and about on the streets, walking instead of driving, and spending more time in public places. Chalk drawings are a great way for artists of any age to bring some color to these public walkways. Leave an inspirational message for someone to stumble upon. Trace your footsteps. Create a design. Leave a series of arrows for people to follow. The options are endless.

Below are some beautiful examples from artist Julian Beever, an English artist whose chalk drawings notably give the illusion of 3-dimensional objects or scenes.

 

2. ZINES!

 

A zine is a form of homemade publication, usually in pamphlet form. Many contain stories, poems, articles, drawings, doodles, manifestos, and cartoons. Usually they’re  circulated by artists leaving them in public spaces, which might be a fun approach to The Mystery Project. Leave one on a restaurant table. Stick one in a library book. Drop a stack at your local coffee shop. Brighten someone’s day and leave them wondering … “who made this?!”

Here are some beautiful examples of handmade zines on ETSY.

 

3. Environmental Installations

 

Environmental installations are a really cool way to surprise and delight passersby, and typically involve creating ephemeral sculptures or patterns with natural and found materials. Another great thing about environmental installations? They may not cost you anything to create. Leave a thoughtful stone sculpture or pile for someone to wonder at. Create a pattern by braiding long grasses. Make a teepee out of twigs on top of a boulder or in the middle of a woodland path.

Here are some stunning examples of well-known environmental works:

[Clemson clay nest by Nils-Udo (2005) via designboom]

[by Helsinki artist Jonna Pohjalainen]

[“Tight Chalk Spiral” by Martin Waters]

 

There are so many other ways to break out of your normal artistic boundaries and go guerilla with this project.

Here are a few more ideas of kinds of works to leave out and about:

- a message in a bottle

- a hand written or pictographic recipe

- a treasure map or hunt for someone to follow

- a photograph

- a good luck charm

- a fortune …

 

We hope you’re inspired to place your art out in the world, and that you do join us for:

What happens when you make a stranger’s day?

This week’s final free project in the 10 x 10 Series is an exploration of the unexpected. Every participant will receive a mystery project kit, which includes a free Prismacolor Brush l Fine Art Marker in a surprise color and a secret word to guide your work. Create a token of inspiration using the tools in your kit — it could be a drawing, a zine, a sculpture, or a collage — then install it in a public place for a stranger to discover. Just remember to document your mystery project and send us a photograph! We’ll share your creative surprises with the entire community online.

Click here to participate!

20 Notes

Inspiration for THE ADVENTURE PROJECT:

LIFE IN A DAY

 

We are so excited about The Adventure Project, and can’t wait to see in live action all the springtime adventures you’ll be having soon!

For all of you participating in this project, we also thought we’d inspire your cinematic submissions by sharing with you another worldwide community video project called Life in a Day

Here’s a brief description:

“On July 24, 2010, thousands of people around the world uploaded videos of their lives to YouTube to take part in Life in a Day, a historic cinematic experiment to create a documentary film about a single day on earth.” Director Kevin Macdonald then edited these submissions into a feature-length film (of the same name) that awed audiences at the Sundance, Berlin, and SXSW film festivals in 2011, and since has lit up silver screens all across the world. 

Part documentary, part social experiment, and part artistic finesse, this project is immensely inspiring in that it creates a visual and sonic time capsule representative of the lives of people from all over the globe. 

You can check out the entire film for free here

 

We hope that Life in a Day inspires YOU as much as it has us, and that you decide to join us for installment #7 in the 10 x 10 Series:

 

THE ADVENTURE PROJECT

 

Can you share an adventure in 30 seconds?

There’s spring sunshine streaming through the windows of Art House HQ and everyone is eager to go exploring. This week, we’re challenging ourselves to go on an adventure and document it in a video. It could be as simple as a walk around the neighborhood or as daring as you desire! The Adventure Project asks artists to shoot a 30-second video that captures an adventure and share it with us online. Upload your video to YouTube and send us the link (projects [at] arthousecoop [dot] com) — we’ll add each submission to our channel and exhibit the project online. Feeling adventurous? Then grab a camera and go!

Don’t forget to check out the VIDEO TUTORIALS tab on the project page, if you’re new to creating videos for the web. 

 

Click here to participate!

8 Notes

The Art of the Response

As inspiration for The Photo Response Project — free project #6 in the 10 x 10 Series — we’ve decided to take a look at the role of “response” in the art making process. While addressing the role of response might harken to the proverbial query —  If a tree falls in the woods and no one witnesses it, does it make a sound? — we won’t wax too philosophical here, but rather share with you a two practical & creative ways that the “art of the response” can in fact become the art itself.

 

 

#1: THE EXQUISITE CORPSE

 

According to Wikipedia, an exquisite corpse is “is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule … or by being allowed to see the end of what the previous person contributed.” Originally created by the Surrealists as a type of artistic parlour game, this process-oriented form of call & response art making has definitely remained part of the contemporary art milieu.

If drawing (or any kind of visual art) is the medium used in an exquisite corpse, then typically each artist will create something on a specific part of the paper or canvas, and it will be hidden from the next artist except for a few connecting lines to work off of. Here’s an example:

[Agnes deBETHUNE, Alaine BECKER, Leah K. TOMAINO, Untitled/Untitled/ Rooted, Graphite, collage, watercolor, chalk, pastel crayon, fiber, acrylic paint on paper, 2009, 30” x 22”. Courtesy of the artists and the Paul Robeson Galleries, Rutgers University.]

 

If poetry is the medium, it may look something like this communal poem composed by members of the Creative Writing Program at Indiana University in South Bend. Note the “rule” for this exquisite corpse at the top:

 

 

Contemporary artists often play with this parlour game of yester years as well, as you can see by the graphic art posters created by D*Face, a London-based street artist:

 

 

 

#2: THE NEW YORKER CARTOON CAPTION CONTEST

 

For all of you New Yorker readers, you know exactly what this is … but for those of you who don’t, the New Yorker Cartoon Caption Contest is part of a running feature in the magazine in which cartoon artists’ work is displayed, along with an open call for the best cartoon caption. Readers submit captions, and the powers at be choose the top three; then anyone can vote on which caption gets printed with the cartoon.

This is a great example of the power of the “call & response” method in marrying meaning to medium. Despite the stellar content of the publication, the witty cartoons — and especially the caption contest — remain one of The New Yorker’s most popular pieces of content. The art doesn’t just begin and end with one artist, one work, or one mind, but rather involves a larger conversation between many artists, many contributions, and many minds. 

Here are some examples of cartoons that are running in the March issues of the magazine:

 

For those of you interested in participating, here’s the cartoon up for caption submissions right now (click on the image to submit):

 

 

And for those who want to vote on the top three captions for this week’s cartoon, you can click on the images below to do so:

 

 

 

#3: AND OF COURSE, OUR OWN VERSION OF CALL & RESPONSE ART

 

 

What’s a picture worth to you?

1000 words? A quick sketch? Or a photo in return? The Photo Response Project asks artists to perform a visual translation. Choose one of these three photographs and respond to it in any visual medium — just keep the dimensions to 4” x 6”. Write a (very) short story, draw or paint, manipulate the image itself or simply try something new. We’ll exhibit each photograph together with its responses and explore the many directions that emerge from a single starting point.

 

CLICK HERE TO PARTICIPATE!

10 Notes

2012 Sketchbook Project Artist Profile: Rob Jelinski

One of the best parts of working for Art House is coming into contact with our community members, and their fascinating stories. Full of artists, creators, movers and shakers, our community, in no uncertain terms, rocks. 

This week we want to feature one of our most active community members, Rob Jelinski, an artist who has done something quite unique with the 2012 Sketchbook Project. Not only has he submitted a sketchbook for the 2012 World Tour, but he has taken this project and run with it, giving rise to a whole host of other materials, and creating a matrix of multi-media works that we find to be simply, well, inspiring.

Rob sent us many of these goodies a few months ago, and as we gear up for the tour we’d love to share them with all of you. In addition, he has some amazing insights and suggestions to share with our community about different ways to approach The Sketchbook Project, ways to increase the viewership of your book, and more. 

And so, we welcome you to check out this incarnation of the 2012 Sketchbook Project, in all its many forms. Peruse the images below, read through his materials, watch his book trailer, and for something really inspiring, read the short interview with Rob below. 

And so we give you a sneak peak into:

 

A BOOK CALLED FOREVER

 

 

sketchbook cover:

 

sketchbook spread (sneak peak #1):

 

sketchbook spread (sneak peak #2):

 

sketchbook back inside cover:

 

pamphlet inside the backflap:

(the page below depicts Jelinski in the Brooklyn Art Library!)

 

In addition to these materials, he also created an original and free album, which connects music to his 2012 Sketchbook Project submission. Way to go multi-media!

 

Album cover:

 

Inside the album case:

 

Album insert (notice the reuse & remaking here of his sketchbook art!):

 

Rob even created a TRAILER for his sketchbook project, called “One Day,” which you can check out on youtube here. It depicts his journey on the subway, en route to the Brooklyn Art Library to submit his 2012 sketchbook.

 

For any of you in the greater NYC area, Rob is also have a book launch & party for A Book Called Forever, which you can RSVP for here!

 

 

*          *          *          *          *

 

 

We love how Rob has taken this project to a whole new level. So we asked him a few questions about his process, his interest in the project, and what inspired him to continue creating and inventing new ways to express himself through this project. Here is some wonderful insight into his process in creating all of these materials, as well as advice for other sketchbookers who want to, as he says, “dream big.”


ART HOUSE:  What do you find inspiring about the Sketchbook Project? What made you decide to participate?

 

ROB JELINSKI:  When I first heard about The Sketchbook Project in 2011, I couldn’t believe that I could have my work tour the country for just $25. It seemed too good to be true, so I did some homework. I found that the Brooklyn Art Library was located in Williamsburg, Brooklyn (the art Mecca for young artists), it was a global community, the tour was being featured in press like CNN and The NewYorker, the work of other participants was jaw-dropping, and there were basically no rules except be creative and don’t cover the barcode.  It was inspiring to find an artistic platform such as this, which was open to all!


ART HOUSE:  What inspired you to continue creating, and to amass so many other multi-media materials in connection with your 2012 Sketchbook Project submission?


ROB JELINSKI:  When approaching my 2012 Sketchbook Project, I was initially overwhelmed by the thought of capturing the theme “Forever In a Nutshell.” I realized that the only way I could cover such a multifaceted subject was to extend the project beyond the sketchbook through external promotions. I simply thought of innovative ways within the spectrum of my concept that would grab my viewer’s attention and build a memorable bond between them and A Book Called… Forever. When your work is on a collective tour that draws many different types of viewers, you must find ways to stand out from the thousands of other participants while still appealing to their genuine interests.


ART HOUSE:  Do you have any words of inspiration — or suggestions — for other artists in our community, in terms of the ways they might also expand their engagement in The Sketchbook Project?

 

ROB JELINSKI:  Be yourself, keep it fresh, and dream big! These are three of the top ways you can increase your success in The Sketchbook Project or any other endeavor. Be yourself because there is always something you can bring to the table that no one else will. Keep it fresh because no one likes to hear or see the same thing over and over again. This concept is especially important when promoting a project or event like The Sketchbook Project, as it spans months. Remember to dream big. It’s hard as an artist to abandon fears like “what if readers don’t like my project?” or “if I do a collaborative promotion, what if other people don’t see the same potential and opportunity I see?” — but it is always better to try. People who dream big and set goals to reach those dreams will eventually find success!

 

ART HOUSE:  Lastly, you do an amazing job of getting the word out about your artwork and your 2012 sketchbook. This undoubtedly will increase the amount of people who will be exposed to your work. What suggestions do you have for other Sketchbook Project artists, if they too want to bring more of a spotlight onto their sketchbook.

 

ROB JELINSKI:  Promote your work with excitement and a professional touch. If you don’t tell your following about your project and the tour, they won’t come. And if you do tell them, but you don’t present it with excitement and poise, they will also be unlikely to attend any viewings. But if you promote your project in the right fashion you will get someone to attend and they will surely tell others. Another great way to create greater visibility for your project is to find other participants that compliment your work and partner with them. One of the best promotions I thought up this year was to cross promote my work with 25 other participants I esteemed in the form of a read list which will be available to download or print from my exhibits page starting on Thursday, April 12th.

6 Notes

CLAIM YOUR 2012 SKETCHBOOKS!

Hello Sketchbookers!

Thank you again for all of the amazing 2012 Sketchbook Project submissions. Because all of your work is so dear to us, we don’t want any of you to go unnamed or unclaimed. There are a few sketchbooks which have no identifying information on them (either unreadable or absent barcodes), and we’d love to know who they belong to!

Below are images of these books - either their covers or the first page, if there is a blank cover. Please email us at community@arthousecoop.com if one of these is yours!

UNCLAIMED SKETCHBOOK #1:

[blank cover; this is the first page]


UNCLAIMED SKETCHBOOK #2:

[cover]


UNCLAIMED SKETCHBOOK #3:

[cover]


UNCLAIMED SKETCHBOOK #4:

[cover]

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